Dark in Death by JD Robb (2018)

Book #46, Eve Dallas In Death Series (Several of which are reviewed in this site, search tag “Nora Roberts” to see them all.)

Lt. Eve Dallas is back in her forty-sixth adventure, set in New York City of 2061, overseeing a murder investigation that has claimed the life of a up-and-coming Broadway star. The bizarre details of the young woman’s death strike a cord with a local mystery writer, who comes to Eve with her fears that the murderer may be committing “lethal plagiarism” by acting out the murders from her series of books called the Dark series.

Almost immediately Eve confirms that the murder of the young woman is almost an exact replica of the murder in book two of the Dark series. A short look into open cases in the city shows her that just a month prior another young woman was killed in a manner that imitated book one in the series. Now the team is scrambling to read all eight books in the series, quiz the author on her plots and motivations for the books, scour fan mail to the author, and follow the available forensic evidence; all in an attempt to stop the murderer from committing six more copy-cat murders.

A cast of strong women, led by Eve and Peabody, come together to dig deep into the damaged psyche of a murderer who went from super-fan to serial killer: to find out what happened and how he can be stopped.

 

Advertisements

Year One by Nora Roberts (2017)

Chronicles of The One series, Book #1

In Year One, Nora Roberts has published what I consider one of the best books she has written in years, and I have read every single book she has ever written. This futuristic novel is a combination dystopian science-fiction thriller and fantasy story: introducing readers to a cast of characters, both human and super-human, who are fighting preserve the United States from an apocalyptic civil war.

As the story opens (presumably in 2017,) an ill passenger boards a flight from Dublin to New York City and unknowingly infects hundreds of people who cross his path. This man sets into motion a violent, deadly plague — called The Doom — that in less than a month kills more than half of the world’s population. In almost no time at all, The Doom causes cities to crumble, governments to dissolve, and turns the United States into a violent waste-land.

Among the survivors there emerges three distinct groups of people: humans who are for unknown reasons immune to The Doom; a population of peaceful magical people (called The Uncanny) who have extraordinary powers; and their murderous counter-parts, The Dark Uncanny. Fear and paranoia grows between the three groups, as everyone struggles to find a way to survive in a world that is quickly running out of supplies needed to keep the remaining population alive.

A group of main characters emerge from the over-arching story, humans and Uncanny who want to work together to build a new, peaceful civilization. This group rescues survivors, stockpiles food, medicines, and other essentials, and who — after a months-long struggle — begins to build a city together, New Hope. At New Hope, the residents take up farming, raising animals, building schools and hospitals, and offering each other solace and peaceful respite from the bloody battles that have raged since the epidemic emerged.

However, two terrifying threats appear on the horizon and threaten all of the hard work the residents of New Hope have done. The Purity Warriors are a group of Christian extremist determined to rid the world of the Uncanny, often in the most bloody and horrific ways. The Dark Uncanny also begin to grow in power, they are using their supernatural abilities to kill everyone who attempts to control them — human or superhuman. A civil war begins to brew between the three groups.

One woman, an Uncanny named Lana, who has worked for months to protect survivors and help bring them from the across the country to New Hope becomes the target of increasingly terrifying attacks; many people begin to believe that she is the person prophesied to bring an end to the civil war to the restore peace to what is left of the United States.

This book is Nora Roberts at her very best: a unique and thrilling story populated with great characters; one that she manages to keep well-balanced between contemporary drama, science-fiction, and fantasy. I am looking forward to Book 2!

 

Artemis by Andy Weir (2017)

artemis

Andy Weir, author of the wildly popular novel The Martian, returns with another (unrelated) science fiction novel set in space. Artemis, a colony built on the moon, is home to approximately 2000 Artemisians who run mining operations, conduct scientific experiments, and — for the vast majority of the moon’s permanent residents — work in jobs serving the wealthy tourists from Earth.

Enter our anti-heroine, Jasmine Bashara, a shady smuggler who has a reputation on the moon for drinking, promiscuity, and trouble-making. “Jazz” sees herself as someone just trying to get by, someone willing to bend the rules in order to better her place in the economic hierarchy on Artemis. Since the moon is sovereign, the laws there are flexible and illicit business dealings are par for the course: somethings that many residents, not just Jazz, take advantage of.

After several rocky years since leaving her father’s home, Jazz is still living in the worst section of the moon city and barely saving up enough to cover the basics. When one of the planet’s wealthiest citizens (a man for whom Jazz often smuggles illegals onto the planet) makes her an offer for millions of “slugs” (moon currency) to help him with a dangerous task, Jazz agrees. Seeing dollar signs and not danger signs, Jazz initiates a wild attack on the on-planet mining company and sets into motion a complex series of events that lead to chaos, corruption, and murder.

The author’s, admittedly considerable, knowledge of the phsyics and the realities of the atmosphere on the moon helps add the believability of the plot. He has clearly done extensive research into the technical aspects of the book and, although he gets carried away a lot with the details, the more complex parts of the setting are conveyed well to readers. Setting aside, the plot of the book is a bit stale and the pacing of the story uneven…it is clear that those parts of the book were less considered than the space city where the action takes place.

Additionally, Weir does an admirable job creating a cast of characters that spans all races, ethnicities, religions, and income levels, and in having chosen to divert from most sci-fi literature in telling the story through the eyes of a young, brilliant, bad-ass Saudi Arabian/Artemisian woman. However, the characters come across as juvenile and insufficiently fleshed out, conversing with stilted dialogue and following unrealistic story detours arguing over petty grievances they have with one another.

While it was an enjoyable book and a fast read, Artemis left something to be desired in the way of  character development and plot. My guess is that the movie will be better than the book.

Secrets in Death by JD Robb (2017)

Book #45, Eve Dallas In Death Series (Several of which are reviewed in this site, search tag “Nora Roberts” to see them all.)

secrets in death robb

In the forty-fifth installment of her futuristic, sci-fi, police procedural mystery series, JD Robb brings back her entire cast of colorful, and often lovable, characters to New York City of the future; a place of crime, abuse, and violence; but also one of huge technological and social advances.

This book opens on a cold, February evening in a swanky wine bar, where Eve Dallas is meeting a colleague with whom she has had a contentious relationship with in recent years. As the two women discuss the best way to get past their personal differences, a women drops dead of a stab wound at the bar in front of them.

Although Eve and her colleague cannot save the woman, they are able to immediately open the investigation. The murdered woman was a TV personality famous for her ability to dig up dirty secrets on celebrities. Immediately it becomes clear that there are nearly infinite numbers of people who this woman has harmed with her malicious form of journalism. But Eve senses there is a rage even deeper than embarrassment behind the murder, and digs even deeper.

Soon Eve and her team uncover a list of people who the reporter was blackmailing: demanding both huge financial pay-offs and dirt on other rich and famous people as payment. It is in this group of people that Eve is certain her murderer lies…someone fed up with secrets and the horrible cost that the murdered woman extracted from them for not revealing it.

Another solid installment in a long-running and (mostly) enteraining franchise.

The Circle by Dave Eggers (2013)

Dave Eggers’ The Circle is a near-future dystopia where one super-tech company (think Google + Facebook + Amazon) is attempting to integrate the entire human experience into an online sphere, where everything you do, buy, wear, and think is shared in a continuous stream with the entire world; with the ultimate goal to erase anonymity and make privacy obsolete.

The story’s main character, Mae, is a young woman, newly recruited to work at a tech company called The Circle, a dream-job for her. Mae is dazzled by the extravagant campus — gyms, pools, restaurants, a hospital, shopping, theaters, and more — and cutting edge tech at the company. While Mae expected to be part of a highly competitive and extremely hard-working group, it quickly becomes clear that working for The Circle is not a career but a lifestyle. Mae must not only meet her work deadlines and commitments, but become part of the social structure of the company: dedicating nights, weekends, and countless hours online during her days and nights connecting — endlessly — with her co-workers.

Also startling, is the lack of privacy she must adapt to: her medical records accessed and used to monitor her health; her entire online past uploaded and shared with the entire company; video monitoring her all day and night; and the constant reminders from her superiors that she is being watched and judged. All of this, she reasons, is the price one pays to work for the largest company in the world and to be at the fore-front of the tech revolution.

The Circle beings to announce more and more radical products and services — including hidden cameras stashed that can be bought and placed (undetected) anywhere in the world to send a constant video feed to the Internet — in becomes clear that the company plans to force the world to adapt to The Circle’s ideas of democracy, privacy, and accountability…without asking government for permission.

Two characters emerge as foils to devotion the employees of The Circle’s maintain: Mae’s high school boyfriend who is a critic of the direction The Circle is taking the world, and a mysterious co-worker, Kalden who Mae starts an illicit affair with and who shows her a different, darker side of The Circle. But Mae is in too deep, she agrees to “go transparent” and wear a camera and recording device 24/7 to ensure her complete honesty and makes her lack of privacy utterly complete.

Eggers has created a richly imagined and greatly detailed world and presents it to readers in such a straight-forward manner that it seems like an entirely plausible near-future. However, the book has some drawbacks that distract from the story; many of which seem to stem from a stereotypes about women that the author — perhaps unknowingly, perhaps not — renforces in this book. Among these flaws are the unevenness of his main character Mae, who Eggers tries to portray as a a woman smart enough to quickly become a star employee and charming enough to be quite popular, but is also naive, selfish, incompetent, and back-stabbing. It is unclear whether these are character flaws that stem from her personality, or from the fact that she is a woman. Furthermore, Eggers does what so many male writers do with their female characters by oversexualizing Mae’s character in ways that are out of step with women in general, and this character specifically.

Also of note is the fact that the author feels the need to repeatedly, and at length, lecture readers about the finer details of the plot. Instead of relying on his readers to deduce what dastardly things the company is getting up to, or allowing us to use plot clues to make sense of the dangers of a world without privacy might present, he uses character monologues — almost everytime it is male characters who are “mansplaining” to Mae what is going on at the company or in the world — once again suggesting that his female character is unable to comprehend on her own complex ideas and therefore must be to force fed them by her male counterparts.

This combination of gender-stereotype flaws are wearisome by the middle of the book, and seem practically condescending by the end of it, overshadowing some of the books more interesting ideas.

Echoes In Death JD Robb (2017)

For an introduction to the In Death series, see this post https://ivejustfinishedreading.wordpress.com/2015/10/18/in-death/

For a review of the In Death book that proceeded Echoes in Death in the series, view this post https://ivejustfinishedreading.wordpress.com/2016/10/14/apprentice-in-death-by-jd-robb-2016/

echoes in death cover

Echoes in Death, the 44th book in JD Robb’s prolific futuristic, science-fiction murder mystery series, opens with Lt. Eve Dallas and her husband, Roarke, discovering a naked and battered woman wandering the frozen New York City streets. After racing her to the hospital they learn that she is the young wife of a prominent surgeon. Once the hospital staff confirm her identity and concur that the young woman has been the victim of a brutal physical and sexual attack; Dallas and her partner, Peabody, arrive at her home to find her husband has been murdered, presumably by the same attacker as his wife.

On the surface the attacks appear to be a rape/murder perpetrated in the course of a home invasion. All evidence points to that conclusion: the home of a wealthy couple invaded, the couple attacked, and the attacker had left only after stealing artwork, cash, and jewelry. As the wife begins to regain her memories of the evening, and Dallas and Peabody interview friends of the couple, information that suggests that the husband abused his wife (and possibly a previous wife) comes to light and the cops have to work out whether she killed in self-defense or if someone else was involved in an elaborate escape plan.

Two fellow NYPD detectives approach Dallas and Peabody with evidence that links two of their cold cases with her murder investigation and all four detectives agree that the three cases are similar enough that the attacker most likely is a serial rapist who has escalated into murder.

Tracing the intricate relationships between the three cases, the team begin to uncover a pattern: the murderer is targeting prominent, wealthy couples in which the wife is extraordinarily beautiful. Dr. Mira, the department psychiatrist and recurrent character in the series, creates a chilling profile that suggests the killer is attacking “surrogates” who reminds him of someone he has long known and long wanted to harm.

Although this series can be formulaic and repetitive, this book felt reinvigorated and the plot and details kept it feeling fresh and fast paced. A dark series, too dark for those sensitive to graphic murder mysteries, but one that has fought to remain vital after forty+ books.

Thankless in Death by JD Robb (2013)

I was startled to learn that I had missed a book in JD Robb’s In Death series, a series which I have been reading for years. Even though the series is loosing a bit of its appeal after more than 40 books, for loyalty sake, I checked out the missed book, Thankless in Death, and read it yesterday.

An introduction to the series, and a commentary on the series and its author, was written by me and published on this site in 2015.

Devoted in Death is the forty-first book in the Eve Dallas “…in Death” series by prolific writer JD Robb (nom de plume for Nora Roberts, who has written hundreds of additional books under her real name). I have read all of the books in the series, many of them more than once, and always find they are well worth the read. The books are science-fiction murder mysteries set in the 2060’s, following the life and work of NYPD detective Eve Dallas. Despite the futuristic settings and high-tech gadgetry, the books are largely told in the traditional police-procedural style. The stories portray, in graphic detail, the murders committed (often in very dramatic ways) and the minutiae of police work required to solve them.

A moment of commentary here seems in order. I know that serialized books in general are dismissed as overly simplistic and often formulaic. Some readers would say that murder-mystery serials sensationalize crime and gore and sentimentalize the work of the police. Novels such as the In Death series may not be “literature,” but the author never sets out to write a Pulitzer, she sets out to entertain readers. I suggest that there can easily be room in any reader’s book list for novels such as these. It can be tiresome and confining to only read books at the high-end of the literature spectrum. While there is much value in books that demand a lot of their readers, there is also value in books that ask just a little. Books such as the In Death series demand only two things: that we come willing to be entertained (even if we have to suspend disbelief at times) and that, especially when we read serials, we are looking to form deeper connections to story’s main characters.

We meet Eve Dallas in In Death Book One as she is both becoming a NYPD detective and forming relationships with a slew of characters who will appear in most of the following books including: her billionaire lover-turned-husband, her hippy police partner, a savvy news reporter, an orphan turned rock-star, the police department shrink, and many more. My continued love of the series is largely tied up in these relationships, more so than the detective stories (although those are compelling as well). An abused former foster child, Dallas must open her life to welcome in more and more friends and loved ones, something that does not come easy. She must also deal with her unexpected celebrity resulting from both her sensational police work and her marriage. These caring relationships, and the steamy love life she shares with her husband, Roarke, are a nice counterpoint to the otherwise dark material of the books. (Another comment: the fact that her books include romance — and not just sex — is often cited as evidence of their inferiority to similar books written by men.) — Originally posted October 18, 2015

Thankless in Death finds Eve Dallas and her partner Peabody working to solve a double homicide in the days before Thanksgiving 2060. A husband and wife were murdered in what appeared, initially, a home invasion. Discrepancies on the scene do not sit right with Dallas, and she soon suspects that the couple’s adult son is their murderer. Once it becomes clear that her hunch is correct, Dallas and Peabody begin begin to work the case assuming that the son has gone into hiding. They are both shocked and angered when they learn that this was not a one-time crime of passion and the man has not run, but rather he has decided to use his new found “skills” to hunt down and kill everyone against who he has a grudge. Knowing that they are now dealing with a unstable serial killer, Dallas and Peabody are racing the clock to catch him while the try to puzzle out whom he plans to target and in what order.

Thankless in Death also finds Dallas and her husband preparing to host a large family Thanksgiving in their New York home — an event that makes our main character feel panicked and claustrophobic.  After spending most of her adult life dedicating herself to her police work, she still finds it a shock that she has a family that she has married into, and a family of friends and loved ones she has grown. While she feels fiercely protective of her extended family, she still finds it a tremendous challenge to have to welcome them — and their opinions, their drama, their chaos — into her life.  Despite her inclination to cut herself off from others, something she can easily justify since her work as a police detective is all-consuming, it is her husbands insistence that she make time for family and holiday celebrations that, in the end, fill Eve’s heart of love and gratitude.