“Everything that I am seeing is all physically balanced on the cusp between the now of things and the big, incomprehensible change to come. If it is true that every living particle that I can see and not see, and all that is living and perhaps unliving too, is trimming its sails and coming about and heading back to port, what does that mean? Where are we bound? Is it any different, in fact, from where we were going in the first place?” 13
Louise Erdrich’s stunning new novel, Future Home of the Living God, is an ecstatic, psychedelic, feminist masterpiece: one that tells stories about the raw power of women, of mothers, of the continuance of life against all odds: and it is about the inevitable, horrific ways that men in power will dirty and corrupt change in an effort to control the uncontrollable.
A series of huge and irreversible environmental disasters have set into motion massive global changes; whether or not human-kind can survive those changes is unknown. Everything that is known, or even guessed, about the origins of life on planet Earth are being called into question and no one — neither scientist, politician, nor religious leader — can predict what will happen to those left on earth. The question that emerges as even more urgent to answer is: what will happen to those who are about to arrive on earth?
As governments crumble and people devolve into violence and chaos, the call to round up all pregnant women and detain them against their will is is growing louder. Cedar Hawk Songmaker, a young Ojibwe woman living in Minneapolis, sees the world crumbling and is unsure where to turn: towards her white, adoptive parents or to her biological Native parents on their reservation in Norther Minnesota? Who can best protect her during these uncertain times, and who can best protect her unborn baby from a government that wants to take it for their own experimentation?
” I know this: there is nothing one human being will not due to another. We need a god who sides with the wretched. One willing to share misery.” 153
The dystopic story that follows is riveting and horrifying, but expertly written by Erdrich. The author blends Native story-telling, Catholicism, New-Age spirituality, evolutionary biology, and her own unique visions of the future to tell Cedar’s tale. What will become of women, she asks, when men in power decided that they will seize complete control of human reproduction? The answer, nothing good.
The future of the world is not a devastating and dramatic end but a complete reversal. Things begin to move backward, time reverses, and humans shed their civility in response. Women, as always, are simultaneously the key to the Future and extraordinarily vulnerable to the ill-intent of science, religion, and men who want to claim their power to create life for their own.
This book is, I say again, a masterpiece of science fiction — of fiction! — and should not be missed.
“That my body is capable of building a container for the human spirit has inspired in me the will to survive. It has also shown me truths. Someone has been tortured on my behalf. Someone has been tortured on your behalf. Some in this world will always be suffering for your behalf. If it comes your time to suffer, just remember. Someone suffered for you. That is what taking on the cloak of human flesh is all about, the willingness to hurt for another human being.” 205