Force of Nature by Jane Harper (2017)

force of nature

In a follow-up to her outstanding debut novel The Dry, Jane Harper brings back Australian Federal Agent Aaron Falk for yet another mystery.  (Read more about The Dry here ) A Force of Nature centers around five women who go into the bush for a corporate team-building retreat, of which only four emerge — battered and terrified — days after they were meant to meet their guide. The women are shocked to find their colleague has not made it back on her own.

When local police determine that the missing woman is Alice Russell, Aaron Falk and his new partner Carmen, are asked to head out of Melbourne and into the wild outback to join the investigation.  As it turns out, in addition to being a corporate partner at her accounting firm, Alice Russell is also a police informant helping provide Aaron and Carmen with information about her boss’ illegal activities. While it seems highly unlikely that her disappearance in the wilderness is related to her undercover work for the AFB, Aaron knows better than to ignore the possibility that it is more than a coincidence.

Offering assistance to the local police Aaron and Carmen help search for Alice, both unable to quell their unease the another member of the company might have learned that Alice was helping the feds and taken advantage of the retreat’s remote location to harm Alice, after all the bush has more than enough places for a women to disappear. Their worries do not end there; rescuers know the cold, rainy temperatures and the hostile terrain pose a challenge for even the most seasoned hiker. Adding to their worries, rumors that have plagued the National Park for decades, relating to a serial killer who targets solo, female hikers, begin to swirl around the search.

As Harper details for readers the search for Alice, she also takes us back to the start of the retreat, into the heads of the five women who were dropped off in the bush with little expertise and many, many long-buried grudges. Between the present day police work and the story the women reluctantly reveal, the full story is finally unearthed…along with several unexpected skeletons, real and figurative.  A great, atmospheric novel, and hopefully the start of a series featuring Aaron Falk.


The Favorite Sister by Jessica Knoll (2018)

 The Favorite Sister is set, primarily, in the world of reality-TV and follows the rise and fall of the stars of a fictional show called, Goal Diggers. At its outset, Goal Diggers intended to be the first feminist reality TV show: following the story of four young, ambitious women who are working to make their unique ideas into million-dollar businesses. This show is not intended to be The Bachelor, with cat fights and backstabbing. These are women who will hold each other up, support one another, and not succumb to sabotage to get ahead.

However, as the show grows in popularity, the show creators see a chance to increase ratings by pitting the women against one another, creating conflict, firing stars who are too old for their demographic, and using manufactured drama to win fans. The ploy works, the show becomes at hit and its stars celebrities. But soon the drama and competition between the cast becomes all too real, and a show meant to hold up feminist women as role models for the new millennium, becomes just another venue for showing women that what really matters are looks, money, and fame.

Among the main narrators of the story are Brett, Stephanie, and Kelly. Brett is a gritty, tattooed, lesbian who rises to fame with a no-nonsense attitude and (apparent) disregard for the trappings of wealth. Stephanie is an African-American writer who is the elegant, calm, intelligent leader of the group. And finally, Kelly, Britt’s older sister who has grown more and more resentful of Britt’s fame and riches and has maneuvered herself on to the show, bringing with her ratings-spiking drama and deception.

As the book picks up speed, the characters start unraveling. Soon the years of lying, in-fighting, competition, and artifice begins to wear on everyone. Fights abound, friendships crumble, and — feeling that this may be there last chance to “win” — businesses are sabotaged.

Despite the fact that the story is interesting, it is also tawdry and out of touch, much in the same way that reality TV is. On the surface, Knoll has presented readers with a story that harshly criticizes the manufactured and manipulative world of reality TV; but she has failed offer an alternative to us. Every character is the book is selfish, cruel, and unlikable — there is not one person who stands to represents “real” women. Every woman in the book — from the precocious twelve year old to the aging octogenarian — is deceitful or desperate (or both) and more than willing to discard her integrity for money and fame…or at the very least for name-brand clothing and the envy of others.

While the story is sensational fiction, it is telling that there are no depictions of women in the story who seem like those in my life. Surely Knoll is not suggesting that any woman can be corrupted into be hateful and shallow with the smallest of promise of celebrity, money, or status? Yet that is what each character in the book does…shed her decency when presented with financial gain. In the book that is (at least attempting) to put forth feminist counter-arguments to the nature of celebrity worship, reality TV, and social media, the characters never live up to their own self-proclaimed ideals.

In many ways, the book is aiming to make money sensationalizing the sleazy and back-biting world of reality TV, just like the characters in the book. By failing to offer characters or plot lines that balance out the outlandish ones in the book, no real lessons are learned nor warnings sounded…and the result is a book that leaves readers feeling that the views of women are in no way furthered. We are being given the same stories as always about how — at our core –we petty, competitive, and looks-obsessed.

Bury Your Dead by Louise Penny (2010)

bury your dead

The dead abound in Louise Penny’s sixth Chief Inspector Armand Gamache novel, Bury Your Dead. The characters in the book are surrounded by the dead: men dead hundreds of years in the past, men and women dead in a terrible recent tragedy, and — finally — one newly murdered man. Chief Inspector Armand Gamache must simultaneously work to bury his guilt and heartbreak over the loss of fellow officers and work to uncover the person responsible for a man murdered in the present. Layered on top of these two challenges — one emotional, one professional — Armand Gamache is also following the trail of a long-dead man whose final resting place would answer the questions of many Quebecois historians.

After the horror of a police investigation gone wrong, one which left the Chief Inspector wounded and grieving, Armand has traveled to Quebec City to the home of his long-time mentor and friend to recover. While there, Armand is working to recover his physical strength and to quiet the ghosts of dead officers who are haunting him.

In an effort to find peace, Armand begins to spend his days at a small nearby library run by and dedicated to the English settlers of French-dominated Quebec City. Acting as amateur historical sleuth, Armand is hoping the library’s books might offer clues about a famous battle in the 1600’s that resulted in English-rule over the French residents of the city for centuries. What he finds instead is a dead body.

The dead man is a well-known local man who was known to be obsessed with finding the body of Quebec’s founder, Samuel de Champlain. So obsessed, the victim regularly broke into buildings throughout the city digging for Samuel de Champlain‘s burial site. When the man is found in a shallow grave inside the English library everyone is left to wonder– did he finally find the famous grave site? And if so, was he killed in order to keep the location of Samuel de Champlain a secret?

Assisting the local police, Armand beings to make inquiries into the case and he finds some of the grief that has been hanging over him for months lifting as he digs into the mystery. Working gives Armand a renewed sense of faith in his work as a police officer and allows him to process the deaths of his fellow officers from a remove. Soon police work becomes historical detective work as well; as the city’s history plays a crucial role — 400 years later — in solving this present-day crime. Armand’s love of Quebec history make his findings in the case thrilling as he gets to use his investigative skills to find the killer and learn more about his beloved home province.

Armand must uncover the secrets of the murdered man, a man who was obsessed with uncovering the location of a long-dead hero; and both men — one living and one dead — are following the trails of two mysteries that are intricately linked.


Repost. Originally posted November 14, 2017

The Brutal Telling by Louise Penny

Chief Inspector Armand Gamache Series, #5

the brutal telling

Just as fall is beginning to creep into the woods of Quebec, another murder brings Chief Inspector Armand Gamache back to the village of Three Pines. A body has been found in the town’s beloved bistro, run by Olivier, and shocks the entire village.

This murder investigation is unlike any the Chief and his team have previously investigated. The victim is a man known by no one: who has no name, no home, no neighbors, absolutely nothing at all that allows the police to identify him. Without knowing who the man is, it seems impossible to determine why someone would want to kill him.

The location where the body was found, at Olivier‘s, offers the only insight early in the case. Was this murder a threat to Olivier? An attempt, as some villagers believe, by a new business rival to destroy the bistro, in an effort to make his own Inn more of a success? Armand is not sure, but his instincts tell him the the bistro owner is at the heart of the crime, even if it is not at all clear how or why.

When the coroner finds that the man was not killed at the bistro, but murdered elsewhere and moved to the bistro, Armand and his team begin to search for the location of the murder, with the hope that this will give them more information on the victim.

The trail they follow leads them deep, deep into the woods surrounding the village to a tiny, hidden cabin. Inside the modest cabin they find the murder scene…and a mountain of antique treasures worth millions of dollars.

Was the man murdered by someone who wanted the treasure for himself? Or by a person to whom the treasure rightfully belonged? Or is there a third and more complex relationship this unknown, unnamed man had with the murderer, one that grew so discordant that a murder was committed in a fit of rage?

It is greed, the deep and dirty desire for more that leads Armand to the killer. The killer, “a hungry ghost” whose emotional emptiness he has long been trying to fill with money but could no longer be satisfied with ordinary riches. The hole in the murderer’s soul demands it all, and death was the only way to get more.


Repost, originally posted 11/2/2017

The Woman in the Window by AJ Finn (2018)

the woman in the window

Dr. Anna Fox was once a prominent child psychologist with a thriving practice in NYC. At the start of A Woman in the Window, however, readers find that she has fallen far. Now, Anna Fox is an agrophobe, unable to leave her house for the last year, surviving on daily cocktails of booze and psychotropics, and estranged from her family.  What has caused this dramatic change? It is unclear as the story opens.

Anna, alone and desperate, tries to keep her terror at bay by keeping herself occupied. Busyness, she finds, helps her avoid dark thoughts about the past. She divides her time between “counseling” other agrophobes online, chatting with her estranged family, watching old movies, and spying on her neighbors.

It is the latter of those past-times that starts to cause Anna trouble. Anna becomes obsessed by the Russell family when they move in across the park. Anna learns about the family from the way they spend their days and nights, helped along by the lack of curtains in their house. She finds herself transfixed by their beautiful, shy teenage son Ethan, his wealthy and aloof father Alastair, but most of all by Jane Russell.

Then, suddenly and incredibly, the Russell’s make themselves a part of her life. Ethan visits her and opens up about the stress his family is under. Anna’s psychological training kicks in and she cannot resist offering him advice. Then, Ethan’s mother arrives on Anna’s doorstep, and Anna spends one captivating, unnerving night with her.

Now, all Anna can think about (and watch) are the Russell’s, growing more obsessed by the day. And then, Anna, witnesses someone murder Jane Russell.

Terrified and shocked, Anna tries to leave the house to help Jane but her own terror of the outside world prevents her from getting there. She awakens in the hospital and finds that no one – not her doctors, not the police – believes her story.

She is a drunk, they explain, taking dozens of strong drugs many of which induce  hallucinations. Her history of mental illness, her agoraphobia, and her disheveled and wild manner make her more than an unreliable witness…they make her a crazy and entirely worthy of ignoring.

Anna, however fragile her mental state, refuses to believe she has imagined the murder. Growing more unstable by the hour, she cannot stop investigating what she is certain she saw, but her inquiries draw the ire of the police and the Russell family.

But something drives Anna on and on, fueled by drugs, wine, and her refusal to believe she has become someone who has completely lost touch with reality. With no allies, Anna realizes she cannot trust anyone to help her. Without being able to leave the house, Anna realizes she is an easy target for a murderer. Now she is the one under the microscope, her life is being scrutinized and her privacy violated; but who is watching?

The Hypnotist by Lars Kepler (2009)


Swedish National Detective Inspector Joona Linda arrives at an icy public restroom outside of Stockholm to find a man brutally murdered. He soon learns the dead man’s entire family has also been slaughtered that same night. Hurrying to the scene in the family home, Joona finds an utterly horrific site — an entire family tortured and murdered — but he also finds the family’s teenage son is, miraculously, clinging to life.

The boy, Josef Ek, is rushed to the hospital in critical condition, in and out of a coma. Linda is desperate to interview the boy, who he knows can help them identify the murderer. Linda’s superiors believe the killings are over, payment for the father’s gambling debts. Joona Linda knows this is not a mob killing, this is a rage-filled attack aimed at Ek family…and he is almost certain he can catch the killer if he can just talk to the boy.

Enter Dr. Erik Bark, psychiatrist and expert on surviving severe trauma, called to Josef’s bedside and begged to help the police revive the boy so he can be questioned. Bark refuses, insisting there is no way; Linda insists there is a way…hypnosis. However, Dr. Eric Bark’s entire career — his entire life — was nearly ended by his research into hypnosis and he has been ordered never to perform it on a patient again. Joona Linda tells him of the murders and asks Bark to reconsider, tells him the lives of other members of the Ek family depend on what Josef tells them. So Dr. Bark agrees, Josef is hypnotized, and the police and doctors learn more than they could have anticipated from the beaten, tortured boy.

But they are not the only ones that learn something. Word of Dr. Bark’s hypnotism hits the press and a storm of controversy descends on his family. Bark’s former failures — as a doctor, as a husband, as a researcher — come back into focus and soon all manner of people are focusing their attention on Bark and his family.

Now Joona Linda must solve the increasingly terrifying mass murder case and now he must factor in dozens of suspects — all mentally ill — who have arisen from Dr. Eric Bark’s past to complicate the investigation.

An absolutely absorbing and terrifying tale that was impossible to put down! I cannot wait to read the next Lars Kepler book featuring DI Joona Linda; although I may wait a week or two, as this one gave me nightmares.

Shelter in Place by Nora Roberts (2018)

On an ordinary summer night, in a shopping mall filled with families, three teenage boys armed with their parents guns, opened fire killing nearly one hundred people and forever changing the lives of those who survived. Among the survivors, are Reed and Simone, teenagers at the time of the shooting, whose lives were shattered by the violence they witnessed and the loved ones they lost.

Shelter in Place follows Simone and Reed as they work to rebuild their lives and fill it with purpose and love. As the two grown up, their paths never quite crossing, readers see how the mass shooting haunts them both: Reed becomes a police officer to help protect the lives of innocent people, Simone becoming an artist whose work is deeply influenced by her survival.

Nearly a decade after the attack, a serial killer surfaces and begins to target the survivors of the shooting. One by one, the killer tracks down and ends the lives of people who would have otherwise died in the mall shooting attack. Reed and Simone are both on that list. They are also both now living on Tranquility Island and are embarking on a romance and trying to build a relationship that is not marred by terror or death.

While Roberts have crafted a good story with a strong plot, her story meanders too far from the action for too many pages. She distracts with unnecessary characters and sub-plot lines drawing out for nearly 500 pages a story that could have been told — and possible told better — in 300 pages. While enjoyable, Shelter in Place is not as good as some of her older works.